Anselm Reyle is one of the most recognized and successful artists of his generation. The criteria for such success include his diversified methods of creation, a striving toward experimentation and self-realization in very different styles. The famous German meticulousness and focus is evident in the execution of his works.
Recognition of the objects refined to the state of cliché and executed at the highest technological level is reached through analysis and reconsideration of the past epochs’ of art history, from early Abstraction (Otto Freundlich) to American minimalism and expressionism of the 1950-1960s (Barnett Newman, Kenneth Noland, Jackson Pollock), and from shrilly monochromes by Yves Klein to ready-made objects by Marcel Duchamp.
Masterfully juggling between different styles and techniques, Reyle skillfully evades direct repetitions and creates his own lexicon, sometimes eclectic and perhaps kitsch, but absolutely relevant to our time. This lexicon is similar to the contemporary world with its superficiality and the triumph of brands and glamour – the world, where beauty and perfection of outer facades has become a total obsession, a social fetish.
Born in Tubingen, Germany, in 1970, Anselm Reyle studied at the Staatliche Akademie der Bildenden Künste in Stuttgart and in Karlsruhe. Since 1997, he has been living and working in Berlin. Since 2009, he has held a post as professor at the Fine Arts Academy in Hamburg.
The artist has an impressive list of exhibitions in some of the most prestigious museums and gallery institutions in the world including: the Centre National d’Art Contemporain, Grenoble (2013), Deichtorhallen, Hamburg (2012), Arken Museum, Denmark (2011), Kunsthalle Zurich (2006), etc.
His works are represented in high-reputed public and private collections, such as:
Daimler Contemporary, Berlin
Sammlung Boros, Berlin
Pinault Collection, Venice
Centre Pompidou, Paris
Arken Museum of Modern Art, Ishøj
Saatchi Gallery, London
Rubell Family Collection, Miami