Галерея Гари Татинцяна
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    Open a larger version of the following image in a popup: Tony Matelli, Fucked (Couple), 2005
    Open a larger version of the following image in a popup: Tony Matelli, Fucked (Couple), 2005
    Open a larger version of the following image in a popup: Tony Matelli, Fucked (Couple), 2005
    Open a larger version of the following image in a popup: Tony Matelli, Fucked (Couple), 2005
    Open a larger version of the following image in a popup: Tony Matelli, Fucked (Couple), 2005
    Open a larger version of the following image in a popup: Tony Matelli, Fucked (Couple), 2005
    Open a larger version of the following image in a popup: Tony Matelli, Fucked (Couple), 2005

    Tony Matelli Chicago, IL, USA, 1971

    Fucked (Couple), 2005
    Polyester, silicone, polyurethane, wood, steel, oil paint, hair
    213 × 400 × 400 cm

    Further images

    • (View a larger image of thumbnail 1 ) Tony Matelli, Double meat head, 2008
    • (View a larger image of thumbnail 2 ) Tony Matelli, Double meat head, 2008
    • (View a larger image of thumbnail 3 ) Tony Matelli, Double meat head, 2008
    • (View a larger image of thumbnail 4 ) Tony Matelli, Double meat head, 2008
    • (View a larger image of thumbnail 5 ) Tony Matelli, Double meat head, 2008
    • (View a larger image of thumbnail 6 ) Tony Matelli, Double meat head, 2008
    • (View a larger image of thumbnail 7 ) Tony Matelli, Double meat head, 2008
    “All of my sculptures are in a state of compromise. They are lost, wounded and tangled. This is everyone’s general state at one point or another. It certainly has been...
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    “All of my sculptures are in a state of compromise. They are lost, wounded and tangled. This is everyone’s general state at one point or another. It certainly has been mine. These things need to be talked about simply.” – Tony Matelli

     

    In F#ucked Couple, two figures are impaled, ravaged by absurd trauma, yet they continue to move forward. Their bodies endure unimaginable suffering, but their joined hands remain untouched by violence—a poignant symbol of love’s resilience. This pure, desperate embrace speaks to the unwavering power of mutual affection in the face of the world's harshest tribulations. As Tony Matelli explains, “‘Love’ is such an old and, in some ways, clichéd idea, so I needed to find a way for it to feel fresh and relevant.” In this piece, Matelli reinterprets love as something more raw and real, not exempt from suffering but transcendent through it.

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    Выставки

    Tony Matelli. Uppsala konstmuseum, Sweden. Oct–Nov 2008
    Create Your Own Museum. Gary Tatintsian Gallery, Moscow. Jan–Feb 2007
    Tony Matelli. Survival, Gary Tatintsian Gallery. Sep–Nov 2008
    Mutated Reality. Gary Tatintsian Gallery, Moscow. Nov 2015–Mar 2016
    Realisms. State Hermitage Museum, St Petersburg, Russia. Jun–Sep 2016

    Публикации

    “Tony Matelli. Realisms”, State Hermitage Museum, St. Petersburg, Russia, 2016 pp. 24–31, 33–34
    “Mutated Reality”, Gary Tatintsian Gallery, Moscow, 2016 pp. 6–7, 10–15, 18–23, 63
    “Tony Matelli. Survival”, Gary Tatintsian Gallery, Moscow, 2008. pp. 10–11
    “Create Your Own Museum”, Gary Tatintsian Gallery, Moscow, 2007. pp. 104–107 
    “Fairy Tales Forever, Homage to H.C. Andersen”, ARoS Aarhus Kunstmuseum, Aarhus, Denmark 2005 pp. 92–95, 164–165
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