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    Open a larger version of the following image in a popup: Vik Muniz, Demon, after Vrubel, 2007
    Open a larger version of the following image in a popup: Vik Muniz, Demon, after Vrubel, 2007
    Open a larger version of the following image in a popup: Vik Muniz, Demon, after Vrubel, 2007
    Open a larger version of the following image in a popup: Vik Muniz, Demon, after Vrubel, 2007
    Open a larger version of the following image in a popup: Vik Muniz, Demon, after Vrubel, 2007

    Mikhail Vrubel. The Demon Seated, 1890 © Tretyakov Gallery

    Vik Muniz São Paulo, Brazil, 1961

    Demon, after Vrubel, 2007
    Chromogenic print mounted on aluminum
    Small size: 122 × 216 cm
    Large size: 167 × 302 cm
    Edition: 6+4AP

    Further images

    • (View a larger image of thumbnail 1 ) Vik Muniz, Still life with a Bouquet of Fruits, after Caravaggio, 2006
    • (View a larger image of thumbnail 2 ) Vik Muniz, Still life with a Bouquet of Fruits, after Caravaggio, 2006
    • (View a larger image of thumbnail 3 ) Vik Muniz, Still life with a Bouquet of Fruits, after Caravaggio, 2006
    • (View a larger image of thumbnail 4 ) Vik Muniz, Still life with a Bouquet of Fruits, after Caravaggio, 2006
    • (View a larger image of thumbnail 5 ) Vik Muniz, Still life with a Bouquet of Fruits, after Caravaggio, 2006

    Visualisation

    On a Wall
    'Demon' is an appropriation of Mikhail Vrubel’s painting created in 1890. Mikhail Vrubel’s Demon series was inspired by the 19th-century poem The Demon by M. Lermontov — the story of...
    Read more

    "Demon' is an appropriation of Mikhail Vrubel’s painting created in 1890.

     

    Mikhail Vrubel’s Demon series was inspired by the 19th-century poem The Demon by M. Lermontov — the story of a fallen angel, exiled from heaven and trapped in eternal loneliness and despair.

     

    The Demon series, including works like The Demon Seated (1890) and The Demon Downcast (1902), portrayed the demon not as a symbol of evil but as a tragic figure, burdened by inner conflict and yearning for redemption. Vrubel described his demon as “a spirit uniting masculine and feminine qualities. A spirit, not so much evil as suffering and sorrowing, but nonetheless powerful... a majestic spirit.” These works were recognized by Vrubel’s contemporaries as the starting point of the Art Nouveau style.

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    Exhibitions

    Vik Muniz. Russian Project. Gary Tatintsian Gallery, Moscow. Oct 2007–Feb 2008
    Vik Muniz. Gary Tatintsian Gallery, Moscow. June–Oct 2018

    Publications

    Vik Muniz. Gary Tatintsian Gallery, Moscow, 2007. pp. 158–159
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