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    Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
    Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
    Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
    Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
    Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
    Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008

    Damien Hirst Bristol, UK, 1965

    Tetrachloroauric acid, 2008
    Household gloss and enamel paint on canvas
    175,3 × 271,8 cm

    Further images

    • (View a larger image of thumbnail 1 ) Damien Hirst, Beautiful Muruga Paranoia Intense Painting With Extra Inner Beauty, 2008
    • (View a larger image of thumbnail 2 ) Damien Hirst, Beautiful Muruga Paranoia Intense Painting With Extra Inner Beauty, 2008
    • (View a larger image of thumbnail 3 ) Damien Hirst, Beautiful Muruga Paranoia Intense Painting With Extra Inner Beauty, 2008
    • (View a larger image of thumbnail 4 ) Damien Hirst, Beautiful Muruga Paranoia Intense Painting With Extra Inner Beauty, 2008
    • (View a larger image of thumbnail 5 ) Damien Hirst, Beautiful Muruga Paranoia Intense Painting With Extra Inner Beauty, 2008
    • (View a larger image of thumbnail 6 ) Damien Hirst, Beautiful Muruga Paranoia Intense Painting With Extra Inner Beauty, 2008

    Visualisation

    On a Wall
    In his famous 'Spot Paintings' series, ever attuned to allusions and theoretical discourse, Hirst reimagines the classic artistic genre of the grid, grounding it in scientific thought and the genetic...
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    In his famous 'Spot Paintings' series, ever attuned to allusions and theoretical discourse, Hirst reimagines the classic artistic genre of the grid, grounding it in scientific thought and the genetic structures that underpin life itself.

     

    The uniquely coloured dots are meticulously arranged within a precise grid; the regimented pattern suggests order and structure, yet there is an underlying sense of chaos. As the artist explains, this tension arises from the lack of satisfying colour interplay: "If you look closely at one of these paintings, a strange thing happens: because of the lack of repeated colours, there is no harmony. We are used to picking out chords of the same colour and balancing them with different chords of other colours to create meaning. This can't happen. So in every painting there is a subliminal sense of unease; yet the colours project so much joy it's hard to feel it, but it's there."

    Close full details

    Выставки

    Damien Hirst. Tate Modern, London, UK. Apr 4–Sep 9, 2012
    Damien Hirst. Gary Tatintsian Gallery. Mar 31—Jun 1, 2017

    Публикации

    Damien Hirst. Tate Modern, London, UK, 2012
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