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Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008
Open a larger version of the following image in a popup: Damien Hirst, Tetrachloroauric acid, 2008

Damien Hirst Bristol, UK, b. 1965

Tetrachloroauric acid, 2008
Household gloss and enamel paint on canvas
175,3 × 271,8 cm

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Visualisation

On a Wall
In his famous 'Spot Paintings' series, ever attuned to allusions and theoretical discourse, Hirst reimagines the classic artistic genre of the grid, grounding it in scientific thought and the genetic...
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In his famous 'Spot Paintings' series, ever attuned to allusions and theoretical discourse, Hirst reimagines the classic artistic genre of the grid, grounding it in scientific thought and the genetic structures that underpin life itself.

 

The uniquely coloured dots are meticulously arranged within a precise grid; the regimented pattern suggests order and structure, yet there is an underlying sense of chaos. As the artist explains, this tension arises from the lack of satisfying colour interplay: "If you look closely at one of these paintings, a strange thing happens: because of the lack of repeated colours, there is no harmony. We are used to picking out chords of the same colour and balancing them with different chords of other colours to create meaning. This can't happen. So in every painting there is a subliminal sense of unease; yet the colours project so much joy it's hard to feel it, but it's there."

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Exhibitions

Damien Hirst. Tate Modern, London, UK. Apr 4–Sep 9, 2012
Damien Hirst. Gary Tatintsian Gallery. Mar 31—Jun 1, 2017

Publications

Damien Hirst. Tate Modern, London, UK, 2012
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