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Artworks

Open a larger version of the following image in a popup: Peter Saul, Woman Drinking Martini, 2009
Open a larger version of the following image in a popup: Peter Saul, Woman Drinking Martini, 2009
Open a larger version of the following image in a popup: Peter Saul, Woman Drinking Martini, 2009
Open a larger version of the following image in a popup: Peter Saul, Woman Drinking Martini, 2009
Open a larger version of the following image in a popup: Peter Saul, Woman Drinking Martini, 2009
Open a larger version of the following image in a popup: Peter Saul, Woman Drinking Martini, 2009
Open a larger version of the following image in a popup: Peter Saul, Woman Drinking Martini, 2009

Mystifiers, NCCA, Moscow, 12 Feb–20 Mar 2016

Peter Saul San Francisco, CA, USA, b. 1934

Woman Drinking Martini, 2009
Acrylic on canvas
119 × 90 cm

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Visualisation

On a Wall
“All my work can be professionally seen as the artistic contribution that should, and did come after + stem from Francis Bacon. This contribution was not accepted as a contribution...
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“All my work can be professionally seen as the artistic contribution that should, and did come after + stem from Francis Bacon. This contribution was not accepted as a contribution because it was a time when people were only interested in the visual appearance of the over-all picture and unable to reflect on the “meaning” of the figurative elements. I got people to interpret my figures only thru dealing with topical subjects, and then mainly complaints like “how the hell am I supposed to appreciate your technique if you keep painting these exciting scenes that are hard to ignore.”

– Peter Saul

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Exhibitions

Peter Saul. Praz-Delavallade Gallery, Paris, 10 Oct–7 Nov 2009

Pretty on the Inside. Paul Kasmin Gallery, New York. NY, USA. 23 Jun–17 Sep 2011
Far Out! Marlborough Chelsea, New York. NY, USA. 22 Feb–22 Mar 2014 
Mystifiers. NCCA, Moscow, 12 Feb–20 Mar 2016

Publications

Catalogue “Mystifiers”. NCCA, Moscow, 2016 pages 9, 13, 77
Catalogue “Peter Saul. You Better Call Saul”. Gary Tatintsian Gallery, 2016 p.79
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