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Artworks

Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013
Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013
Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013
Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013
Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013
Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013
Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013
Open a larger version of the following image in a popup: Ron Arad, Pressed Flower (Red), 2013

Ron Arad Tel Aviv, Israel, b. 1951

Pressed Flower (Red), 2013
Steel, glass, leather, plastic and vinyl.
200 x 370 x 20 cm

Further images

  • (View a larger image of thumbnail 1 ) Ron Arad, Pressed Flower (Red), 2013
  • (View a larger image of thumbnail 2 ) Ron Arad, Pressed Flower (Red), 2013
  • (View a larger image of thumbnail 3 ) Ron Arad, Pressed Flower (Red), 2013
  • (View a larger image of thumbnail 4 ) Ron Arad, Pressed Flower (Red), 2013
  • (View a larger image of thumbnail 5 ) Ron Arad, Pressed Flower (Red), 2013
  • (View a larger image of thumbnail 6 ) Ron Arad, Pressed Flower (Red), 2013
  • (View a larger image of thumbnail 7 ) Ron Arad, Pressed Flower (Red), 2013
  • (View a larger image of thumbnail 8 ) Ron Arad, Pressed Flower (Red), 2013

Visualisation

On a Wall
‘Fiat 500 is a national symbol for Italy and our generation, and it’s a very endearing vehicle. Everyone has stories about their first ever sex in a Fiat, or first...
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‘Fiat 500 is a national symbol for Italy and our generation, and it’s a very endearing vehicle. Everyone has stories about their first ever sex in a Fiat, or first kiss. We’re not destroying the cars, we’re immortalising them.’

— Ron Arad

Cars from this series have been flattened, by a 500-ton press in the Netherlands, to a cartoonish perfection. So objects made for motion are now still, cars built for the road now hang on a wall, their three dimensions compressed almost entirely to two.

 

“Pressed Flowers” series is inspired by the fear and rupture of an incident—during Arad’s childhood, his father had a severe car crash while driving a Fiat Topolino, which was made from a mix of wood and metal. The car was completely flattened yet his father survived. Arad Says: ‘I will never forget my father’s words to us: “Had my car not been made out of wood I wouldn’t be alive now”.’

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Exhibitions

Tatintsian Gallery Selected. Tatintsian Gallery, Dubai. Nov 14–Dec 30, 2022
Ron Arad. Gary Tatintsian Gallery. Nov 18, 2016–Feb, 2017
"in Reverse", Paul Kasmin Gallery, New York, USA.  Feb 12–Mar 14, 2015
"in Reverse", Pinacoteca, Turin, Italy. Dec 20, 2013–Mar 30, 2014
"in Reverse", Design Museum, Holon, Israel. June 19, – October 19, 2013

Publications

Ron Arad. Gary Tatintsian Gallery, Moscow, 2017. pp. 69–73, 83
“In Reverse”. Design Museum Holon, Israel, 2013. pp. 47, 54–55, 57

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