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Naturally Naked: Group Exhibition

Past exhibition
15 August - 28 December 2019
  • Overview
  • Installation views
  • Exhibited Works
  • Video
  • Artist
  • “There is no man on Earth who can give a final judgment on what the most beautiful shape of man...

    “There is no man on Earth who can give a final judgment on what the most beautiful shape of man might be.” 

    – Albrecht Dürer

  • George Condo

    John Currin

    Carroll Dunham

    Tony Matelli

    Bjarne Melgaard

    Yasumasa Morimura

    Peter Saul

     

    Download press release

     

    Contact

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      Serebryanicheskaya Emb., 19, Moscow

    The study and artistic depiction of the human body has served throughout the history of art as a way of exploring human nature—both its physical and metaphysical dimensions. From the primitive forms of the Venus of Willendorf to the erotic ornamental paintings of Gustav Klimt, the nude has been central to how artists understand and express the human condition. Francisco Goya was among the first to reconsider the traditional distinction between nudity and nakedness as a form of artistic expression, as seen in The Clothed Maja and The Nude Maja. This tension was further developed by the Impressionists—Édouard Manet, Edgar Degas, and Gustave Courbet—whose works opened the door to new experiments with the depiction of the nude across the centuries.

  • Installation views
    Installation view from Naturally Naked at Gary Tatintsian Gallery, August 15–December 28, 2019 (View more details about this item in a popup).
    Installation view from Naturally Naked at Gary Tatintsian Gallery, August 15–December 28, 2019 (View more details about this item in a popup).
    Installation view from Naturally Naked at Gary Tatintsian Gallery, August 15–December 28, 2019 (View more details about this item in a popup).
    Installation view from Naturally Naked at Gary Tatintsian Gallery, August 15–December 28, 2019 (View more details about this item in a popup).
    Installation view from Naturally Naked at Gary Tatintsian Gallery, August 15–December 28, 2019 (View more details about this item in a popup).

    Installation view from Naturally Naked at Gary Tatintsian Gallery, August 15–December 28, 2019

  • Exhibited Works
    • George Condo Orgy Composition, 2008 Oil on canvas 190,5 x 215,9 cm
      George Condo
      Orgy Composition, 2008
      Oil on canvas
      190,5 x 215,9 cm
    • Peter Saul Return to the Alamo, 2017 Acrylic / canvas 198 x 305 cm
      Peter Saul
      Return to the Alamo, 2017
      Acrylic / canvas
      198 x 305 cm
    • Tony Matelli Female Sleepwalker, 2008 Epoxy, hair, color, steel, underwear 160 × 75 × 55 cm
      Tony Matelli
      Female Sleepwalker, 2008
      Epoxy, hair, color, steel, underwear
      160 × 75 × 55 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3ETony%20Matelli%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EFemale%20Sleepwalker%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2008%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EEpoxy%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehair%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecolor%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esteel%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eunderwear%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E160%20%C3%97%2075%20%C3%97%2055%20cm%3C/div%3E
    • Carroll Dunham Any Day, 2017 Urethane, acrylic, pencil on linen 198,1 x 254 cm
      Carroll Dunham
      Any Day, 2017
      Urethane, acrylic, pencil on linen
      198,1 x 254 cm
    • Carroll Dunham The Golden Age (10), 2016 Pencil on gessoed linen 66,4 x 84,6 x 2,2 cm 73,7 x 91,9 x 4,9 cm (Framed)
      Carroll Dunham
      The Golden Age (10), 2016
      Pencil on gessoed linen
      66,4 x 84,6 x 2,2 cm
      73,7 x 91,9 x 4,9 cm (Framed)
    • Carroll Dunham The Golden Age (8), 2016 Pencil on gessoed linen 56,7 x 73,8 x 2,4 cm 64 x 79,2 x 4,9 cm (framed)
      Carroll Dunham
      The Golden Age (8), 2016
      Pencil on gessoed linen
      56,7 x 73,8 x 2,4 cm
      64 x 79,2 x 4,9 cm (framed)
    • John Currin Christiania, 2007 Oil on linen 40,6 × 50,8 cm
      John Currin
      Christiania, 2007
      Oil on linen
      40,6 × 50,8 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EJohn%20Currin%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EChristiania%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2007%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20linen%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E40%2C6%20%C3%97%2050%2C8%20cm%3C/div%3E
    • Yasumasa Morimura An Inner Dialogue with Frida Kahlo (Dialogue With Myself 2), 2001 Color photograph 162 × 194 cm
      Yasumasa Morimura
      An Inner Dialogue with Frida Kahlo (Dialogue With Myself 2), 2001
      Color photograph
      162 × 194 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EYasumasa%20Morimura%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAn%20Inner%20Dialogue%20with%20Frida%20Kahlo%20%28Dialogue%20With%20Myself%202%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2001%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EColor%20photograph%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E162%20%C3%97%20194%20cm%3C/div%3E
    • Bjarne Melgaard Allen Jones Remakes (Suite of Three Figures), 2013 Fiberglass resin, human hair, leather, sheep skin, steel (base), acrylic paint, enamel paint, glass, lucite Hat stand: 132 x 38,1 x 154,9 cm Chair: 68,6 x 101,6 x 83,8 cm Table: 147 x 76 x 66 cm
      Bjarne Melgaard
      Allen Jones Remakes (Suite of Three Figures), 2013
      Fiberglass resin, human hair, leather, sheep skin,
      steel (base), acrylic paint, enamel paint, glass, lucite
      Hat stand: 132 x 38,1 x 154,9 cm
      Chair: 68,6 x 101,6 x 83,8 cm
      Table: 147 x 76 x 66 cm
  • Paul Cézanne, regarded as a founder of Post-Impressionism, used the term couillard to describe the provocative nature of his work,... Paul Cézanne, regarded as a founder of Post-Impressionism, used the term couillard to describe the provocative nature of his work,... Paul Cézanne, regarded as a founder of Post-Impressionism, used the term couillard to describe the provocative nature of his work,...

    Paul Cézanne, regarded as a founder of Post-Impressionism, used the term couillard to describe the provocative nature of his work, which infused classical subjects with subtle eroticism. By presenting the human body as a legitimate subject of art, Cézanne challenged convention and the widespread taboo surrounding nudity, asserting its raw and unidealized beauty. Soon, "nude art" moved beyond staged symbolism to evolve rapidly through the major movements of Symbolism, Expressionism, Cubism, and Surrealism.

  • “There is no excellent beauty that hath not some strangeness in the proportion.”

    – Francis Bacon

  • The depiction of the nude with erotic undertones has consistently faced the constraints of its time, often surpassing social conventions... The depiction of the nude with erotic undertones has consistently faced the constraints of its time, often surpassing social conventions... The depiction of the nude with erotic undertones has consistently faced the constraints of its time, often surpassing social conventions...

    The depiction of the nude with erotic undertones has consistently faced the constraints of its time, often surpassing social conventions and artistic norms. The pinnacle of such realism remains Gustave Courbet’s L’Origine du monde (1866), a painting that remains provocative more than a century later. Despite the ongoing liberalization of visual art, many twentieth-century works were still perceived as overly sentimental, overly descriptive, or overly idealized in their approach to sensuality.

  • Contemporary art, no longer bound by strict academic frameworks, places the human body at the center of conceptual inquiry. Today’s... Contemporary art, no longer bound by strict academic frameworks, places the human body at the center of conceptual inquiry. Today’s... Contemporary art, no longer bound by strict academic frameworks, places the human body at the center of conceptual inquiry. Today’s... Contemporary art, no longer bound by strict academic frameworks, places the human body at the center of conceptual inquiry. Today’s... Contemporary art, no longer bound by strict academic frameworks, places the human body at the center of conceptual inquiry. Today’s... Contemporary art, no longer bound by strict academic frameworks, places the human body at the center of conceptual inquiry. Today’s...

    Contemporary art, no longer bound by strict academic frameworks, places the human body at the center of conceptual inquiry. Today’s artists frequently reject idealized images, choosing instead to emphasize distortion, exaggeration, and the imperfections inherent to real life. Amid rapid developments in technology, media, and social networks, the body has shifted from being a passive subject to an active tool of artistic expression. Through techniques ranging from ironic allusion to grotesque exaggeration, across painting, hyperrealism, and photography, artists engage with questions of beauty, identity, vulnerability, and corporeal presence in the contemporary cultural landscape.

  • The artists featured in this exhibition—Carroll Dunham, John Currin, George Condo, Tony Matelli, Bjarne Melgaard, Yasumasa Morimura, and Peter Saul—offer timely reinterpretations of the naked body through diverse genres and visual strategies. In dialogue with artistic heritage and the radical experiments of the past, they reveal the expressive richness and complexity of the human form within today’s cultural context.

  • Video
    • Naturally Naked. Group show at Gary Tatintsian Gallery

      Naturally Naked. Group show at Gary Tatintsian Gallery

    • George Condo Interview: The Way I Think

      George Condo Interview: The Way I Think

    • John Currin in Florence

      John Currin in Florence

    • The Artist's Studio: Carroll Dunham

      The Artist's Studio: Carroll Dunham

    • Tony Matelli - A Human Echo / Sleepwalker

      Tony Matelli - A Human Echo / Sleepwalker

    • Bjarne Melgaard - Sugar Amnesia / Goodbye to Love

      Bjarne Melgaard - Sugar Amnesia / Goodbye to Love

    • Yasumasa Morimura: Ego Obscura

      Yasumasa Morimura: Ego Obscura

    • Peter Saul Interview: Bad Painting

      Peter Saul Interview: Bad Painting

  • Artist
    • George Condo

      George Condo

    • John Currin

      John Currin

    • Carroll Dunham

      Carroll Dunham

    • Tony Matelli

      Tony Matelli

    • Yasumasa Morimura

      Yasumasa Morimura

    • Peter Saul

      Peter Saul

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