In George Condo’s own words, “the humanoid is not a science fiction monster, it is a form of representation that uses traditional means to bring out the inner emotions onto the surface of a person”. The mimetic ideal that has predominated in the history of art has led to the creation of an incalculable number of representations that are “similar” or “comparable” to humans.
Over the course of six sections, the 'Humanoids’ traces the continuity of a profuse body of work that ranges from “space beings” to Who’s Who, from Guido Reni to Bugs Bunny. Featuring specially produced paintings, the exhibition offers a glimpse of the artist’s process of invention – as crazy as it is erudite – of humanoids.