Viewing Room | Evgeny Chubarov Untitled, 1992–1993

1 November - 30 December 2022
  • Evgeny Chubarov. Untitled, 1992-1993, Oil on canvas | 300 x 200 cm Evgeny Chubarov. Untitled, 1992-1993, Oil on canvas | 300 x 200 cm

    Evgeny Chubarov. Untitled, 1992-1993

    Oil on canvas | 300 x 200 cm
  • ‘Immerse yourself within your Self, and then you'll understand what a personal way of life is. Free your body and soul. Become artist in the most simple and natural way.’ — Evgeny Chubarov

    A painter, sculptor and enigmatic abstract artist, Evgeny Chubarov translated his emotions, moods and intellectual insights to a new unprecedented visual language. This inspiration led him in creating a visual iconography that thoroughly depicts both a contemporary world and the spiritual traditions of medieval art.

  • Chubarov's paintings, covered in several layers of lineal ornamentation, are characterized by their great looseness in composition and dominated by...

    Evgeny Chubarov. Untitled, 1992–1993, detail © Gary Tatintsian Gallery and the artist

    Chubarov's paintings, covered in several layers of lineal ornamentation, are characterized by their great looseness in composition and dominated by lines. As with Pollock's expressionist paintings, Chubarov's abstract works at first seem indecipherable, as they follow the so-called All-Over principle that eliminates any emphasis on the center, and afforded the artist the opportunity to move freely across the large canvasses.

  • However, Chubarov's technique was far from Pollock's gestural abstraction or drip painting. His proficient mastery of all color spectrum, emphasized by the distinctive accents and powerful brushstrokes, brings his work into closer proximity to the confident expressionism by Joan Mitchell. The underlying verbalism and intuitive discipline of composition peculiar to Van Gogh's abstract painting elevate Chubarov's work from 'casual' abstraction to the level of intellectual expressionism.

  • The Artist The Medium

    In his work, Evgeny Chubarov developed his own visual language. Toward the end of his career, he abandoned figurative images and retreated to his inner freedom tied in with his spirituality.

     

    Greatly inspired by Byzantine, Russian, Armenian and Arabic art – the art of medieval icons, illuminated manuscripts, calligraphy and architecture – Chubarov always surrounded himself with illustrations of these masterpieces when working in his studio in Berlin. His true calling as an artist was being the medium that essentially brought these different worlds together as integral whole.

    • Evgeny Chubarov. Untitled, 1996

      Evgeny Chubarov. Untitled, 1996

    • Evgeny Chubarov Untitled, 1996 Oil on canvas 300 x 200 cm
      Evgeny Chubarov
      Untitled, 1996
      Oil on canvas
      300 x 200 cm
  • For more than four decades of his career Chubarov studied a phenomenon of the Pure Abstraction – an intellectual abstraction in a new form where the line and its implementation gained a special meaning.

  • Evgeny Chubarov. Untitled, 1992–1993, detail © Gary Tatintsian Gallery and the artis

    • Evgeny Chubarov Untitled, 1992–1993 Oil on canvas 305 x 200 cm
      Evgeny Chubarov
      Untitled, 1992–1993
      Oil on canvas
      305 x 200 cm

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