Chris Ofili Manchester, UK, b. 1968
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Photograph: Kibwe Braithwaite/The Observer -
Chris Ofili is a distinguished British artist and an integral figure among the Young British Artists (YBAs), celebrated for his intricate, multilayered paintings and works on paper that interweave abstraction, figuration, and cultural symbolism.
Lives and works in Trinidad
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He received his BA in Fine Art from the Chelsea School of Art in 1991 and his MA from the Royal College of Art in 1993.
Ofili’s distinctive visual language is defined by vibrant compositions combining resin, glitter, collage, and elephant dung—materials that lend his work both tactile richness and conceptual complexity. Since relocating to Trinidad in 2005, he has drawn inspiration from its lush landscapes, light, and layered histories. His paintings often evoke mythic narratives and allegorical scenes, where African diasporic identity, spirituality, and contemporary experience converge.
In 1998, Ofili received the Turner Prize, and in 2003 he represented Great Britain at the 50th Venice Biennale. A major retrospective of his work was presented at Tate Britain in 2010, followed by Night and Day at the New Museum, New York, in 2014, which later traveled to the Aspen Art Museum.Ofili’s works are held in major public collections worldwide, including The British Museum, London; Tate, London; The Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Carnegie Museum of Art, Pittsburgh; National Gallery of Canada, Ottawa; Victoria and Albert Museum, London; and Walker Art Center, Minneapolis. -
WorksOpen a larger version of the following image in a popup:
Wassily Kandinsky. Cover design for The Blue Rider Almanac, 1911
Chris Ofili Manchester, UK, b. 1968
Saint Lucian Blue Two, 2006Leather on cardboard278 × 200 cmFurther images
Painted in luminous shades of blue and white, Chris Ofili’s work evokes the spirit of Der Blaue Reiter, the early 20th-century German painting movement that sought to merge visual art...Painted in luminous shades of blue and white, Chris Ofili’s work evokes the spirit of Der Blaue Reiter, the early 20th-century German painting movement that sought to merge visual art with musical sensibilities. Characterized by evocative nocturnal landscapes and an opulent palette of deep, inky blues, this series represents a striking stylistic shift, rooted in the artist’s relocation to Trinidad. Immersed in the island’s unlit twilight, Ofili explores a heightened sensory experience—one shaped by moonlight, darkness, and an unfamiliar sense of mystery that stirs both imagination and a quiet, lingering unease.
"I've found that the night and twilight here enhances the imagination. In the city, our relationship to the night is very particular because it's always illuminated, but here it’s unlit, so you're relying on the light of the moon and the sensitivity of the eyes. It's a different level of consciousness that is less familiar to me, and stimulating through a degree of fear and mystery." – Chris Ofili
Exhibitions
Hunky Dory. Gary Tatintsian Gallery, Moscow. Mar–Apr 2007Publications
Hunky Dory. Gary Tatintsian Gallery, Moscow, 2007, pp. 50–51Publications
