Chris Ofili Manchester, UK, b. 1968
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Photograph: Kibwe Braithwaite/The Observer -
Chris Ofili is a distinguished British artist and an integral figure among the Young British Artists (YBAs), celebrated for his intricate, multilayered paintings and works on paper that interweave abstraction, figuration, and cultural symbolism.
Lives and works in Trinidad
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He received his BA in Fine Art from the Chelsea School of Art in 1991 and his MA from the Royal College of Art in 1993.
Ofili’s distinctive visual language is defined by vibrant compositions combining resin, glitter, collage, and elephant dung—materials that lend his work both tactile richness and conceptual complexity. Since relocating to Trinidad in 2005, he has drawn inspiration from its lush landscapes, light, and layered histories. His paintings often evoke mythic narratives and allegorical scenes, where African diasporic identity, spirituality, and contemporary experience converge.
In 1998, Ofili received the Turner Prize, and in 2003 he represented Great Britain at the 50th Venice Biennale. A major retrospective of his work was presented at Tate Britain in 2010, followed by Night and Day at the New Museum, New York, in 2014, which later traveled to the Aspen Art Museum.Ofili’s works are held in major public collections worldwide, including The British Museum, London; Tate, London; The Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Carnegie Museum of Art, Pittsburgh; National Gallery of Canada, Ottawa; Victoria and Albert Museum, London; and Walker Art Center, Minneapolis. -
Works
Chris Ofili Manchester, UK, b. 1968
Blue Riders Remix, 2006Acrylic and charcoal on canvas50,6 x 40,6 cmFurther images
After relocating to Trinidad in 2005, Chris Ofili embarked on a series of blue paintings influenced by the Jab Jab or 'Blue Devils'—a striking carnival tradition in which men descend...After relocating to Trinidad in 2005, Chris Ofili embarked on a series of blue paintings influenced by the Jab Jab or "Blue Devils"—a striking carnival tradition in which men descend from the hills with their bodies painted in vivid blue. This sense of enigmatic presence, of known unknowns, became a defining element in his Trinidadian works. Bathed in deep, moody hues, these paintings capture an atmosphere of ritual, transformation, and the interplay between the seen and the concealed, reinforcing Ofili’s enduring fascination with mystery and myth.Exhibitions
The Blue Rider Extended Remix — Kestnergesellschaft, Hannover, 2006
Publications
The Blue Rider Extended Remix — Kestnergesellschaft, Hannover, 2006
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