Chuck Close 1940, Monroe, WA, USA-2021, Oceanside, NY, USA
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Photo by Ryan Pfluger for The New York Times
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A legendary portrait painter and master of photorealism, Chuck Close is one of the most influential artists of his generation, renowned for his meticulous detail and innovative technique, which deeply impacted both American culture and the international art community.
1940, Monroe, WA, USA–2021, Oceanside, NY, USA
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With an artistic journey spanning over five decades, Close revolutionized the art scene, transforming the canons of academic portrait and experimenting in different forms of expression—from Polaroid photography to oil painting, mosaic-tilework, and tapestry. He created portraits from tonal grids of fingerprints, pointillist dots, brushstrokes, paper pulp, and countless other media.
In 1962, Close received his bachelor’s degree from the University of Washington. Immersed in abstraction, he radically changed his style after graduating from the Yale School of Art in 1964, beginning to work in photorealist techniques, creating large-format Polaroid images and transferring them to canvases. In 1967 he had his first solo show, and in 1971 the Los Angeles Museum of Art opened a major exhibition with a series of black and white portraits.
One of the first artists to use the camera in the late 1970s to make photographs as both the basis for painted portraits and as works themselves, Close created his own iconic tool by putting a grid on the photograph and then transferring a proportional grid to the large-scale canvases. Close’s signature method can be considered as follows: a subject is photographed; the photographic image is transferred onto a large oil painting on canvas via a systematic, grid-based rubric. As the painting progresses, a series of colors are concentrically inserted into the cell, creating combinations that alter the way we perceive the overall color. “Optical blending” is the phenomenon by which the human eye merges neighboring colors into a single hue. A viewer’s encounter with any work by Close hinges on this process, for the eye works first on a micro level to combine the colors in each cell into a single bit of color information, and then on a macro level, to add up the mosaic of individual bits, as the abstraction of the grid coalesces into an image of a human face.
“A face is a road map of someone’s life. Without any need to amplify that or draw attention to it, there’s a great deal that’s communicated about who this person is and what their life experiences have been.”
In the age of the selfie, the art of portraiture, at first glance, seems to play the role of filtering the photographic reality. But for Close, the story goes much deeper: Art became a way to communicate his pain — both physical and emotional — as well as a tool to celebrate his victory against the circumstances that tried to stop him from living his dream. In addition to the partial paralysis that made him use a wheelchair since 1988, the artist had prosopagnosia (face blindness), which drove him to portraits in the first place. He wanted to commit images of friends and family to memory, immortalizing the people and faces that mattered most. With his photographic memory for two-dimensional objects, he changed the faces to two-dimensional portraits. In fact, he had flourished as an artist not in spite of his neurological conditions, but because of them.
Chuck Close received a National Medal of Arts and was appointed by President Obama to serve on his President’s Committee on the Arts and Humanities. He was a member of the American Academy of Arts and Letters and served on the boards of the most prestigious arts organizations.
His artwork has been featured in hundreds of exhibitions as well as private and permanent museum collections around the world, including Museum of Modern Art (MoMA) (New York, NY, USA), Tate Britain (London, UK), Metropolitan Museum of Art (New York, NY, USA), Centre Pompidou (Paris, France), National Portrait Gallery (London, UK), Hiroshima City Museum of Contemporary Art (Hiroshima, Japan), Suermondt-Ludwig-Museum (Aachen, Germany) and many others.
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Works
Chuck Close 1940, Monroe, WA, USA-2021, Oceanside, NY, USA
Shirley, 2007Oil on canvas
243,8 × 213,4 cmFurther images
A major impact of Chuck Close’s work is his dedication to committing the faces of friends and family to memory, immortalizing them through his art. Shirley (2007) portrays the artist’s...A major impact of Chuck Close’s work is his dedication to committing the faces of friends and family to memory, immortalizing them through his art. Shirley (2007) portrays the artist’s mother-in-law, Shirley Rose, exemplifying his ability to capture the personal and intimate details of the character.
In Close’s paintings, mathematical precision merges with a sense of gauzy abstraction. The viewer’s eye, initially overwhelmed by the array of small, sensuous color fields, gradually brings the subject’s face into focus. Each square, filled with a blur of pigment, works individually as a tiny abstract painting, yet together they converge into a highly detailed and vibrant portrait that is rich in color and tone. This interplay between precision and abstraction is central to Close’s unique method of creating lifelike, yet dynamic, representations.Exhibitions
Chuck Close: Family and Others. White Cube, Mason’s Yard, London. October 10–November 17, 2007. Traveled to: as ‘Chuck Close: Seven Portraits’, State Hermitage Museum, St. Petersburg, February 29–May 4, 2008. Illustrated in catalogues
Chuck Close. Guild Hall Museum, East Hampton, New York. Aug 10–Oct 14, 2013. (Curated by Christina Mossaides Strassfield)
A Brief History of Place I. Pace Gallery, Menlo Park, California. Sep 18–Dec 13, 2014
Mutated Reality. Gary Tatintsian Gallery, Moscow. Nov 27, 2015–Mar 2, 2016Publications
Catalogue Chuck Close: Seven Portraits. Texts by Mikhail Piotrovsky, Dimitri Ozerkov and Diarmuid Costello. Interview by Ingrid Sischy. Fontanka, London, 2008. pp.4-5, 41 (illustrated)
Finch, Christopher. Chuck Close: Work. Munich; Berlin; London; New York: Prestel, 2010; 2014. p. 313 (illustrated)
Catalogue Mutated Reality. Gary Tatintsian Gallery, 2015. pp. 20, 23 (exhibition views), 25 (illustrated), 26-27 (detail), 61Chuck Close: Paintings, 1967 to the Present. Digital Catalogue Raisonné. Artifex Press, 2016
Exhibitions-
Chuck Close. Infinite
Personal Exhibition 18 Jun - 27 Nov 2021A legendary portrait painter and master of photorealism, Chuck Close is one of the most influential artists of his generation, renowned for his meticulous detail and innovative technique, which deeply...Read more -
Mutated Reality
Group Exhibition 27 Nov 2015 - 2 Mar 2016
PublicationsViewing RoomsNewsVideo-
Up Close And Personal
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Chuck Close: A Portrait in Progress
© The Art Kaleidoscope Foundation, MUSE Film & Television -
RealClearLife Exclusive: Artist Chuck Close Gives Tour of His Work in NYC Subway
© RealClearLifeFor the first time ever, Chuck Close gave a personal, guided tour of his 12 portraits in the new 86th Street Q train station. In conjunction with DeCubellis Films, RealClearLife... -
Meet Chuck Close
© MCA Australia