Peter Saul San Francisco, CA, USA, b. 1934
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© Gary Tatintsian Gallery
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“I always do things the wrong way, which is completely empty Territory.” – Peter Saul
b. 1934, San Francisco, CA, USA
Lives and works in New York, NY, USA> DOWNLOAD CV
Peter Saul is widely regarded as one of the most significant artists of our time, known for his provocative and daring approach to art. Often described as a “violator of good taste”, Saul has been hailed as a successor to Surrealism and credited as the father of Pop Art.
His groundbreaking contributions to the art world include the establishment of Bad Painting, a distinctive style characterized by vibrant colors and exaggerated distortions that serve as a jubilant portrayal of societal lawlessness and violence. Through his works, Saul employs biting sarcasm to critique these issues, creating thought-provoking “indictments” of contemporary society.
Saul’s influence extends beyond his artistic style. He is recognized as a pivotal figure in the emergence of a politically incorrect movement that has flourished among diverse artists in the United States, such as Sue Williams, Kara Walker, Robert Melee, and Carroll Dunham. His bold and unapologetic approach has inspired a generation of artists to challenge societal norms and engage in vibrant political discourse through their art.
Over his illustrious six-decade career, Saul has consistently pushed artistic boundaries. In the 1950s, he introduced iconic comic and cartoon characters like Superman and Donald Duck into his expressionist paintings. In the mid-1960s, he dedicated a series of works to vehemently protest the Vietnam War and its associated militarism. In the 1970s, he embarked on reimagining masterpieces like Rembrandt’s “The Night Watch” and Picasso’s “Guernica”, infusing them with his unique perspective. Continually drawing inspiration from mass media and art history, Saul’s works captivate viewers through their childlike markings and juxtaposition of clashing colors, evoking both disturbance and engagement.
Despite the apparent irreverence in his paintings, Saul’s art is underpinned by a profound understanding of art history. This foundation allows him to forge sophisticated and impactful dialogues between stylistic formal considerations, political ideas, and autobiographical details. By melding these elements, Saul creates a powerful visual language that challenges viewers and encourages introspection, sparking critical reflection on societal issues and artistic conventions.
“THE IMPORTANT THING IS THAT A WORK HAS TO LOOK FRESH, TO BE AS ORIGINAL AS POSSIBLE. THAT MEANS IT HAS TO HAVE ITS OWN IDEA AND PSYCHOLOGY. I TRY TO MAKE IT WORTH LOOKING AT, TO TURN IT INTO A SENSATION. TRUE OR FALSE DOESN’T MATTER AT ALL AS LONG AS IT’S DISTURBING OR FUNNY, BECAUSE I LOVE ALL PSYCHOLOGY. BAD THINGS MAKE ME LAUGH JUST AS OFTEN AS GOOD THINGS. THIS HAS BEEN MY ART STYLE FOR OVER 55 YEARS. I AM OPEN TO ANY HUMOR, EXCEPT SOPHISTICATED HUMOR. TOO MANY GOOD ARTISTS HAVE SOUGHT AFTER IT. THE SECRET OF THE SUCCESS OF A “BAD” ARTIST IS IN OVERCOMING THE NEED FOR APPROVAL.”
– PETER SAULIn 2020, the New Museum in New York City paid tribute to Peter Saul’s remarkable career with a major retrospective exhibition titled “Peter Saul: Crime and Punishment”, curated by Massimiliano Gioni and Gary Carrion-Murayari.
Works by Saul are found in the collections of leading museums around the world, including the Metropolitan Museum of Art (New York, NY, USA), Centre Pompidou (Paris, France), Whitney Museum of American Art (New York, NY, USA), the Art Institute of Chicago (Chicago, IL, USA), Museum of Contemporary Art (MOCA) (Los Angeles, CA, USA), Museum Ludwig (Köln, Germany), Stedelijk Museum (Amsterdam, Netherlands) and the Museum of Modern Art (MoMA) (New York, NY, USA).
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Works
Peter Saul San Francisco, CA, USA, b. 1934
Abstract Expressionist Cowboy, 2015Acrylic on canvas203 × 163 cmFurther images
'There was a time when people were only interested in the visual appearance of the overall picture and unable to reflect on the 'meaning' of the figurative elements. I got..."There was a time when people were only interested in the visual appearance of the overall picture and unable to reflect on the 'meaning' of the figurative elements. I got people to interpret my figures only through dealing with topical subjects, and then mainly complaints like, 'How the hell am I supposed to appreciate your technique if you keep painting these exciting scenes that are hard to ignore?'" – Peter Saul
In Abstract Expressionist Cowboy, Peter Saul reconfigures the celebrated symbol of exaggerated masculinity, using it as a vehicle to dismantle ingrained societal preconceptions. Unlike the many iterations of the cowboy in works by Richard Prince, Thomas Hart Benton, or Charles Marion Russell—where he often appears riding against picturesque sunsets or sharing cigarettes in a pastoral landscape—Saul’s cowboy is caught in a vortex of distortion. His manipulation of forms is both fluid and sculptural, a wildly imaginative fusion of Salvador Dalí’s melting, rubbery surrealism and Willem de Kooning’s savagely comic figural contortions. Abstract Expressionist Cowboy stands as a striking milestone in Saul’s oeuvre, remarkable for its technical refinement, delicate beauty, and and abstract complexity.
Exhibitions
Peter Saul. Six Classics. Mary Boone Gallery, New York, NY, USA. 7 Nov–18 Dec 2015
Peter Saul. You Better Call Saul. Gary Tatintsian Gallery. 22 Apr–31 Aug 2016Publications
Catalogue “Peter Saul. You Better Call Saul”. Gary Tatintsian Gallery, 2016. pp. 34–35, 38–411of 9ExhibitionsPublicationsViewing RoomsNewsVideo