Anselm Reyle Tübingen, Germany, b. 1970
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Anselm Reyle in his studio © Verena Bruening -
“Originally I started to do gestural painting, but at the same time I was always interested in experimenting with different materials. For me, in both cases, coincidence plays an important role as well as the requirement to work with the unexpected. After my work had become increasingly conceptual and technically perfect in the past years, I started to open up my artistic practice again to a more free and gestural approach recently. In the end, I guess it’s these two poles that determine my work.” – Anselm Reyle
b. 1970, Tübingen, Germany
Lives and works in Berlin, Germany.DOWNLOAD CV >
Anselm Reyle studied at the State Academy of Art and Design in Stuttgart and Karlsruhe. After completing his studies, he moved to Berlin, where the city’s dynamic cultural environment became a catalyst for his artistic development.
Reyle’s practice engages with the visual languages and formal systems of modern and postwar art. Drawing on sources that range from early abstraction (Otto Freundlich) to American minimalism and expressionism of the 1950s and 1960s (Barnett Newman, Kenneth Noland, Jackson Pollock), as well as Yves Klein’s monochromes and Marcel Duchamp’s ready-mades, Reyle revisits and reinterprets these paradigms through a contemporary lens. His large-scale abstract paintings, sculptures, and installations merge the idiom of high modernism with the visual excess of popular culture. The works are distinguished by their use of fluorescent color, neon light, and repurposed materials removed from their original contexts.
Since the late 1990s, Reyle has incorporated foils from commercial displays into his works, transforming decorative material from consumer culture into abstract compositions. These foil paintings—crumpled, iridescent surfaces encased in colored Perspex—emit a seductive glow that both invites and denies physical engagement.
Reyle’s fascination with reflective surfaces and synthetic materials drawn from the world of commerce provides a framework for his ongoing inquiry into value, taste, and the aesthetics of display. His work probes the intersection of art and decoration, questioning the boundaries between high and low culture. By juxtaposing the precious with the trivial, he exposes the mechanisms of visual desire and the allure of consumer aesthetics.
Since 2009, Anselm Reyle has served as a professor at the Academy of Fine Arts in Hamburg. His work has been presented in solo and group exhibitions at Albertina Modern (Vienna, Austria), the Royal Academy of Arts (London, UK), Tate Modern (London, UK), Museum of Contemporary Art (MOCA) (Los Angeles, USA), Latvian National Museum of Art (Riga, Latvia), Centre National d’Art Contemporain (Grenoble, France), Neue Nationalgalerie (Berlin, Germany), Arken Museum of Modern Art (Ishøj, Denmark), Cobra Museum (Amsterdam, Netherlands), Palazzo Grassi (Venice, Italy), and Kunsthalle Zürich (Zurich, Switzerland).
Selected Public and Private Collections
Centre Pompidou (Paris, France)
Pinault Collection (Venice, Italy)
Daimler Contemporary (Berlin, Germany)
Sammlung Boros (Berlin, Germany)
Arken Museum of Modern Art (Ishøj, Denmark)
Saatchi Gallery (London, UK)
Rubell Family Collection (Miami, USA) -
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