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Vik Muniz: Personal Exhibition

Past exhibition
8 June - 10 October 2018
  • Overview
  • Installation views
  • Exhibited Works
  • Publications
  • Video
  • Artist
  • Vik Muniz is an internationally acclaimed artist and photographer known for his inventive use of unconventional materials and his exploration...

    Vik Muniz is an internationally acclaimed artist and photographer known for his inventive use of unconventional materials and his exploration of the relationship between image, perception, and representation.

  • Vik Muniz

     

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       Serebryanicheskaya Emb., 19, Moscow

    Living and working between Rio de Janeiro and New York, Muniz has forged a distinctive path in contemporary art by transforming the ephemeral into enduring visual statements.

     

    He began his artistic career as a sculptor but soon shifted his focus to drawing and photography. Exploring postmodern strategies—like many of his contemporaries, including Cindy Sherman and Jeff Koons—Muniz engages with familiar cultural imagery, recontextualizing it to emphasize the primacy of concept over form. His work reflects a central tenet of contemporary art: that concept often transcends medium.

  • Installation Views
    Installation view from Vik Muniz at Gary Tatintsian Gallery, June 6–October 10, 2019 (View more details about this item in a popup).
    Installation view from Vik Muniz at Gary Tatintsian Gallery, June 6–October 10, 2019 (View more details about this item in a popup).
    Installation view from Vik Muniz at Gary Tatintsian Gallery, June 6–October 10, 2019 (View more details about this item in a popup).
    Installation view from Vik Muniz at Gary Tatintsian Gallery, June 6–October 10, 2019 (View more details about this item in a popup).
    Installation view from Vik Muniz at Gary Tatintsian Gallery, June 6–October 10, 2019 (View more details about this item in a popup).
    Installation view from Vik Muniz at Gary Tatintsian Gallery, June 6–October 10, 2019 (View more details about this item in a popup).

    Installation view from Vik Muniz at Gary Tatintsian Gallery, June 6–October 10, 2019

  • Muniz is celebrated for using everyday materials—sugar, chocolate syrup, wire, caviar, toys, dirt, dust, garbage, even magazine clippings—to recreate iconic images from art history. These large-scale, temporary compositions are meticulously assembled and then captured in high-resolution photographs, preserving their intricate detail while simultaneously transforming them into new, standalone works. Through this process, Muniz reinvents the masterpieces of Van Gogh, Picasso, Malevich, Klimt, Mondrian, Matisse, and others with wit and technical virtuosity.

  • Exhibited Works
    • Vik Muniz Conversation with the Finance Inspector about Poetry, after Rodchenko, 2007 Chromogenic print mounted on aluminum Small size: 165 x 122 cm Large size: 244 x 180 cm Edition: 6+4AP
      Vik Muniz
      Conversation with the Finance Inspector about Poetry, after Rodchenko, 2007
      Chromogenic print mounted on aluminum
      Small size: 165 x 122 cm
      Large size: 244 x 180 cm
      Edition: 6+4AP
    • Vik Muniz Portrait of a boy in painted shirt, after Ilya Mashkov, 2007 Chromogenic print mounted on aluminum Large: 267 x 180 cm Small: 160 x 122 cm
      Vik Muniz
      Portrait of a boy in painted shirt, after Ilya Mashkov, 2007
      Chromogenic print mounted on aluminum
      Large: 267 x 180 cm
      Small: 160 x 122 cm
    • Vik Muniz The Apotheosis of war, after Vereshchagin, 2007 Chromogenic print mounted on aluminum Small size: 122 × 188 cm Large size: 180 × 282 cm
      Vik Muniz
      The Apotheosis of war, after Vereshchagin, 2007
      Chromogenic print mounted on aluminum
      Small size: 122 × 188 cm
      Large size: 180 × 282 cm
    • Vik Muniz Demon, after Vrubel, 2007 Chromogenic print mounted on aluminum Small size: 122 × 216 cm Large size: 167 × 302 cm
      Vik Muniz
      Demon, after Vrubel, 2007
      Chromogenic print mounted on aluminum
      Small size: 122 × 216 cm
      Large size: 167 × 302 cm
    • Vik Muniz Suprematist composition: eight red rectangles, after Kazimir Malevich, 2007 Chromogenic print mounted on aluminum Small size: 142.2 x 122 cm Large size: 213.4 x 180 cm
      Vik Muniz
      Suprematist composition: eight red rectangles, after Kazimir Malevich, 2007
      Chromogenic print mounted on aluminum
      Small size: 142.2 x 122 cm
      Large size: 213.4 x 180 cm
    • Vik Muniz Apollo and the Cumaean Sibyl, after Giovanni Domenico Cerrini, 2007 Chromogenic print mounted on aluminum Diptych: 260 × 360 cm (261 × 180 cm each part)
      Vik Muniz
      Apollo and the Cumaean Sibyl, after Giovanni Domenico Cerrini, 2007
      Chromogenic print mounted on aluminum
      Diptych: 260 × 360 cm (261 × 180 cm each part)
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EVik%20Muniz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EApollo%20and%20the%20Cumaean%20Sibyl%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eafter%20Giovanni%20Domenico%20Cerrini%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2007%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EChromogenic%20print%20mounted%20on%20aluminum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EDiptych%3A%20260%20%C3%97%20360%20cm%20%28261%20%C3%97%20180%20cm%20each%20part%29%3C/div%3E
    • Vik Muniz The Education of Cupid, after Correggio, 2004 Chromogenic print mounted on aluminum 246 × 180 cm
      Vik Muniz
      The Education of Cupid, after Correggio, 2004
      Chromogenic print mounted on aluminum
      246 × 180 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EVik%20Muniz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EThe%20Education%20of%20Cupid%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eafter%20Correggio%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2004%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EChromogenic%20print%20mounted%20on%20aluminum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E246%20%C3%97%20180%20cm%3C/div%3E
    • Vik Muniz Medea about to kill her children, after Eugene Delacroix, 2007 Chromogenic print mounted on aluminum 241 × 180 cm
      Vik Muniz
      Medea about to kill her children, after Eugene Delacroix, 2007
      Chromogenic print mounted on aluminum
      241 × 180 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EVik%20Muniz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMedea%20about%20to%20kill%20her%20children%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eafter%20Eugene%20Delacroix%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2007%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EChromogenic%20print%20mounted%20on%20aluminum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E241%20%C3%97%20180%20cm%3C/div%3E
    • Vik Muniz Bouquet, after Henri Matisse, 2005 Chromogenic print mounted on aluminum 254 × 183 cm
      Vik Muniz
      Bouquet, after Henri Matisse, 2005
      Chromogenic print mounted on aluminum
      254 × 183 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EVik%20Muniz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EBouquet%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eafter%20Henri%20Matisse%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2005%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EChromogenic%20print%20mounted%20on%20aluminum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E254%20%C3%97%20183%20cm%3C/div%3E
    • Vik Muniz Boy with a pipe, after Picasso , 2006 Chromogenic print mounted on aluminum 223.5 x 180.3 cm
      Vik Muniz
      Boy with a pipe, after Picasso , 2006
      Chromogenic print mounted on aluminum
      223.5 x 180.3 cm
    • Vik Muniz Mill in sunlight, after Piet Mondrian, 2007 Chromogenic print mounted on aluminum 246 × 180 cm
      Vik Muniz
      Mill in sunlight, after Piet Mondrian, 2007
      Chromogenic print mounted on aluminum
      246 × 180 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EVik%20Muniz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMill%20in%20sunlight%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eafter%20Piet%20Mondrian%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2007%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EChromogenic%20print%20mounted%20on%20aluminum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E246%20%C3%97%20180%20cm%3C/div%3E
    • Vik Muniz Harmony in red, after Matisse , 2005 Chromogenic print mounted on aluminum Large: 180.3 x 228.6 cm Small: 101.6 x 127 cm
      Vik Muniz
      Harmony in red, after Matisse , 2005
      Chromogenic print mounted on aluminum
      Large: 180.3 x 228.6 cm
      Small: 101.6 x 127 cm
    • Vik Muniz Still life with a Bouquet of Fruits, after Caravaggio, 2006 Chromogenic print mounted on aluminum 183 × 231 cm
      Vik Muniz
      Still life with a Bouquet of Fruits, after Caravaggio, 2006
      Chromogenic print mounted on aluminum
      183 × 231 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EVik%20Muniz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EStill%20life%20with%20a%20Bouquet%20of%20Fruits%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eafter%20Caravaggio%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2006%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EChromogenic%20print%20mounted%20on%20aluminum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E183%20%C3%97%20231%20cm%3C/div%3E
  • Beyond their visual impact, his works explore the notion of appropriation, the reproducibility of images, and the fluid relationship between... Beyond their visual impact, his works explore the notion of appropriation, the reproducibility of images, and the fluid relationship between... Beyond their visual impact, his works explore the notion of appropriation, the reproducibility of images, and the fluid relationship between...

    Beyond their visual impact, his works explore the notion of appropriation, the reproducibility of images, and the fluid relationship between medium and message. “I see myself as an observer of the skirmish between structuralist and poststructuralist criticism,” Muniz once remarked, underscoring his intellectual engagement with contemporary theory.

     

    Muniz’s work is grounded in the belief that art should be both socially conscious and widely accessible. Rejecting elitism, he aims to bridge the gap between high art and popular culture, drawing in audiences of all ages and backgrounds. His visual puns, clever material choices, and accessible references spark curiosity while encouraging deeper reflection on social and environmental issues.

  • In 2006, Muniz began work on one of his most acclaimed projects: the Pictures of Garbage series. Reimagining classical paintings... In 2006, Muniz began work on one of his most acclaimed projects: the Pictures of Garbage series. Reimagining classical paintings...

    In 2006, Muniz began work on one of his most acclaimed projects: the Pictures of Garbage series. Reimagining classical paintings through large-scale images made entirely from waste collected at Jardim Gramacho—the vast landfill on the outskirts of Rio de Janeiro—Muniz collaborated with local garbage pickers, who not only sourced materials but also took part in constructing the compositions. These monumental works were assembled in a custom-built studio hangar and photographed from the height of the mobile crane. The resulting images functioned as both striking works of art and poignant social metaphors, addressing themes of labor, marginalization, and environmental degradation.

  • Simultaneously, Muniz co-produced the documentary Waste Land (2010), which followed the lives of the landfill workers and the evolution of the project. The film garnered international critical acclaim, earning an Academy Award nomination and winning major prizes at the Berlin, Toronto, and Sundance film festivals. Proceeds from the sale of the artworks were donated to the Association of Collectors of the Metropolitan Landfill of Jardim Gramacho, and the landfill was officially closed in 2012. The project became a turning point—both in the lives of its participants and in Muniz’s own trajectory—marking the beginning of his sustained philanthropic engagement through art.

     

    In 2011, Muniz was named a UNESCO Goodwill Ambassador. In 2014, he founded Escola Vidigal, a school of art and technology for underprivileged children in Rio de Janeiro. The following year, he participated in the Gates Foundation's global health initiative The Art of Saving a Life with his project Colonies, which explored the aesthetics of microscopic life.

  • Muniz frequently lectures at leading institutions including Oxford, Harvard, and Yale Universities; The Museum of Modern Art (MoMA), New York; The Museum of Fine Arts, Boston; and other prominent venues such as TED conferences, the World Economic Forum, MIT, and the Skowhegan School of Painting and Sculpture.

     

    His works are held in major international museum collections, including the Museum of Modern Art (MoMA), the Guggenheim Museum, the Metropolitan Museum of Art, the Whitney Museum of American Art (New York); the Tate Gallery and the Victoria and Albert Museum (London); the Museum of Modern Art of São Paulo; the Museum of Modern Art in Rio de Janeiro (MAM); the Menil Collection (Houston); the Long Museum (Shanghai); MACRO (Rome); the Joan Miró Foundation (Barcelona); the Tel Aviv Museum of Art; the Irish Museum of Modern Art (Dublin); and the Tokyo Museum of Contemporary Art.


  • This Is Not a Ball (2014) is a documentary film co-directed by Vik Muniz and Juan Rendón. Created in the... This Is Not a Ball (2014) is a documentary film co-directed by Vik Muniz and Juan Rendón. Created in the... This Is Not a Ball (2014) is a documentary film co-directed by Vik Muniz and Juan Rendón. Created in the...

    This Is Not a Ball (2014) is a documentary film co-directed by Vik Muniz and Juan Rendón. Created in the lead-up to the FIFA World Cup in Brazil, the film documents a nine-month journey across cities including Rio de Janeiro, Mexico City, New York, Boston, Paris, Kyoto, Nuremberg, and Sialkot. In each location, Muniz investigates the role of football in shaping social dynamics and global culture, engaging with activists, scientists, athletes, and fans alike.

     

    The film weaves together personal stories inspired by the world’s most popular sport while exploring broader themes such as community, history, astrophysics, and gender politics. As part of the project, Muniz created one of his most ambitious installations: a monumental artwork composed of 10,000 footballs at Mexico City’s Azteca Stadium. The installation was later dismantled, and both the balls and photographic works were sold at a charity auction benefiting social initiatives around the world.

  • Publications
    • Vik Muniz

      Vik Muniz

      2007
      Paperback 192 pages
      Publisher: Gary Tatintsian Gallery
      ISBN: 978-5-9906881-8-6
      Dimensions: 250 × 290 mm
      Read more
  • Video
    • Vik Muniz. Art with wire, sugar, chocolate and string. TED Talk, 2007

      Vik Muniz. Art with wire, sugar, chocolate and string. TED Talk, 2007

    • Vik Muniz. Gary Tatintsian Gallery. RBC review

      Vik Muniz. Gary Tatintsian Gallery. RBC review

  • Artist
    • Vik Muniz

      Vik Muniz


  • Viewing Rooms
    • Viewing Room | ViK Muniz. Pictures Of Garbage
      Viewing rooms

      Viewing Room | ViK Muniz. Pictures Of Garbage

      10 February - 5 March 2023

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