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"I'm not against history paintings, I just want to add my own flavor to it."
— Peter Saul
'Sardanapalus', 2005 by Peter Saul is an appropriation and reinterpretation of a plot from 'The Death of Sardanapalus', 1827 by the French painter Eugène Delacroix.
The legend says that the Assyrian king Sardanapalus was the last of the line of 30 kings of Assyria. He surpassed all his predecessors in his dissolute living, which led to the fall of the whole empire. Failing to quell the rebellions, Sardanapalus resolves to end his life and consign to fire all his servants and the royal treasures.
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'The Death of Sardanapalus', 1827 by Eugène Delacroix. © Musée du Louvre, Paris
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'Sardanapalus' painting is one of Saul's iconic works included to the artist's major retrospective at the New Museum, New York in 2020. Marking the artist’s first New York museum survey, this exhibition bought together over sixty selected works from his distinguished career.
In Saul's works, formal experiments never stray far from the social commentary. The references to historical painting in his works are clearly linked to an emotional response to specific day-to-day realities. The artist's charismatic caricature style is a commentary on the cultural values of the contemporary world, while his signature grotesque style has set the standard for the generation of contemporary painting.
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Viewing Rooms
Viewing Room | Sardanapalus by Peter Saul
Past viewing_room